Bonnie Marris Crossing the Big Sandy Master Works Edition On Canvas
Status: In Stock Available | Condition: New | Edition:Limited Edition Master Works Edition On Canvas | Edition Size: Limited Edition Of 25 | Dim:40 inches wide by 30 inches tall | Bonnie Marris| Item #: M00086
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Crossing the Big Sandy
MASTERWORK CANVAS EDITION - M00086
NOTES: Texas longhorn cattle were almost extinct by the 1920s since modern day ranchers preferred a breed that could fatten up quickly, and they no longer valued the longhorn’s ability to survive in high heat on little water, but lots of cactus, weeds and brush. Beginning in the 1930s, they were protected and bred in small stocks, mostly out of the idea of the romance of the Old West but later longhorns became popular for their lean, lower-cholesterol meat. Commercial ranchers now breed them with other cattle for their many strong traits including smarts and easy calving. Artist Bonnie Marris had the opportunity to drive these cattle across the river. “They are so wild, as in un-domesticated,” she said. “When you stand 20 feet away from one you feel like you are peering back into history, seeing what cattle were like before we got our hands on them.” They’re beautiful, intelligent and lean. Sounds like a breed apart..
Crossing the Big Sandy Master Works Edition On Canvas by Bonnie Marris is signed by the artist and comes with a certificate of authenticity.
image Copyright © 2024 by Bonnie Marris
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Bonnie Marris bio
Bonnie Marris has taken an unusual path into art; she developed her talent by portraying animals "from the inside out." While she was a student at Michigan State University, Bonnie illustrated several major books. One volume she worked on was a leading expert s mammalogy text that contained several hundred drawings and detail studies. This massive project attracted the attention of noted zoologist George Schaller, who invited Bonnie to prepare the art for posters that would support his worldwide rare animal relief programs. Beyond academic training and emotional involvement, art requires another element for which there is no substitute: experience. Each year, Bonnie makes two major trips, and countless smaller ones, to observe and learn about the wildlife she loves. In 1980, one such voyage took her to Alaska, where she lived in the wilderness for six months. She recounts, "To get into a natural environment and see the animals on their own terms is as important as knowing the animals themselves. For instance, gray wolves on the tundra—the vast, vast tundra with the wind and other forces of nature at their most extreme—that s what makes them what they are. To stand not far from a grizzly that is so overpowering, so beautiful and so large . . . to watch it pull up a small tree with a swipe of its paw and just a few minutes later see it delicately picking blueberries with its black lips. . . Alaska changed me; it gave me the biggest incentive to paint and increased my interest in the predators: the cats, bears, coyotes, wolves and foxes. They exist on so many levels. Their moods show in their eyes and we can learn so much from them."
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