Judy Larson KINSHIP Canvas
Status: In Stock Available | Condition: New | Edition:Limited Edition Canvas | Edition Size: Limited Edition Of 250 | Dim:31 inches wide by 18 inches tall | Judy Larson| Item #: JL00018
Price..:$ 650.00 USD
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455.00
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Promotion ends on Monday, January 6, 2025.
There is currently 1 Available of KINSHIP Canvas at this price.
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Available for
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today, November 19, 2024
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KINSHIP
LIMITED EDITION CANVAS - JL00018
NOTES: the word reveals several meanings, Larson tells us. Concealed in the female wolf's coat (left of her shoulder), you'll find the face of a Native American woman; on the male wolf's neck, a man. the flank of the female wolf bears a Native American man's face to represent the rest of the tribe. Larson adds, I've grouped the wolves closely to emphasize the necessity of tribal and pack members - male and female - to work together to ensure survival.
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KINSHIP Canvas by Judy Larson is signed by the artist and comes with a certificate of authenticity.
image Copyright © 2024 by Judy Larson
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Judy Larson bio
Judy Larson always knew she was going to be an artist. She was surrounded by them as a child, and was particularly inspired by her father, a professional illustrator. Judy received a Bachelor of Science degree in Commercial Art from Pacific Union College in Northern California, then spent the next 17 years as a commercial artist, illustrator and art director. In 1988, influenced by her love of nature and animals, Judy devoted her time to wildlife art. Her primary focus in each of her paintings is the animal, with the horse as a recurring subject. Her unique approach to her work is through the use of scratch board--a technique that can render magnificent detail but one requiring infinite patience. Scratch board, an old, but little used medium, consists of a smooth, thin surface of hardened China clay applied to a board. The subject is then painted solidly with black India ink to create a silhouette. Now the exacting work begins, engraving the image into the surface of the artwork. While many artists use steel nibs or engraving tools, Judy prefers to work with X-acto blades, changing them ever few minutes to produce as fine a line as possible. Once the subject has been totally scratched, it is a finished black and white illustration, ready for the artist to add color. The methods of adding color are diverse. Judy prefers a combination of airbrush, gouache or acrylics for finishing, with frequent rescratching for detail. Scratch board is a demanding medium, one that Judy has used masterfully in developing her unique approach to wildlife art.
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