Stickman Back in the New York Groove - Ace Frehley/Kiss Tribute -Giclee On Canvas Artist Proof Hand Embellished
Status: In Stock Available | Condition: New | Edition:Artist Proof -Giclee On Canvas Artist Proof Hand Embellished | Edition Size: Limited Edition Of 50 | Dim:30 X 60 | Stickman| Item #: MGGROOVEAP
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Stickman Back in the New York Groove - Ace Frehley/Kiss Tribute -Giclee On Canvas Artist Proof Hand Embellished is eligible for 3 equal layaway payments in store, with a credit card of $631.67 made every 30 days over a period of three months....
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Back in the New York Groove - Ace Frehley/Kiss Tribute - MGGROOVEAP
NOTES: Back in the New York Groove - Ace Frehley/Kiss Tribute. I am obsessed with the vibe and music scene in New York in the 70’s. Rock was at the height of its decadence, glam rock was emerging along with disco and hip hop, and if that wasn’t enough, punk came along and punched the whole scene in the mouth. I am continually drawn to this era due to the diversity and artistic impression that seemed to be flowing through NYC. Right in the middle of all this was the emergence of Kiss. I was once again introduced at a very young age by my brother who stumbled upon Kiss Alive 2 and played it until the needle wore out. Kiss became an obsession in my neighbourhood and Halloween started to look like a Kiss concert. I was always costumed as Ace Frehley, right from the start. I can’t tell you why I was drawn to him, but I was. My first Kiss/Ace record (and possibly my first record overall) was a 45 of “New York Groove” with “Snow Blind” as the B-side. Looking back, I can say with conviction, NYG was my first favorite song. To this day that song remains on high rotation in my car and studio. The background of this piece is not without calculation. I’ve been fortunate enough to travel to many cool cities throughout the world but my favorite city by far is NYC. The background reflects my favorite time of day in the NYC; There’s always a palatable buzz in the city, but that energy seems to shift gears in early evening. As theaters in midtown start buzzing, and the cocktail lounges, pubs and restaurants start to fill up, there is a sense of anticipation that overcomes me…whatever the night brings, “it’s gonna be ecstasy, this place was meant for me”..
Back in the New York Groove - Ace Frehley/Kiss Tribute -Giclee On Canvas Artist Proof Hand Embellished by Stickman
image Copyright © 2024 by Stickman
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Stickman bio
Trevor “Stickman” Stickel specializes in icon based, pop-realism portraits that capture legendary moments, powerful ideas, and raw emotion. His work is described as gritty-yet fresh, complex-yet simple. Graduating from a Jekyll and Hyde influence early in his career, in which he divided his time between family portraits and airbrush design work on helmets and Harleys, Stickman had the epiphany to combine both styles while reading “According to the Rolling Stones”. Two weeks later he finished his first canvas portrait of Mick Jagger, aptly titled “Please allow me to introduce myself”, which forever changed the direction of his career in the art world. THE MISSION The idea or "mission" behind Stickman’s artwork is to create an artistic tribute to the music and to the musicians that have had a tremendous impact on him and many others. Historically, these tributes would have been limited to photos/posters that adorned the bedroom walls of teenagers and dorm rooms throughout adolescence. Stickman aims to create a style of art that brings these iconic figures back into our lives, and in a manner that adults can display proudly in their homes. THE CONCEPT The concept is to take a realistic portrait and juxtapose it with a background that expresses the feelings and emotions of the subject. This method also allows Stickman to explore other disciplines of art – many of his backgrounds will include abstract, expressionism, impressionism, realism, pop art, street art, surrealism and quite often a combination of these. This is where he gets to enjoy the artistic side of these pieces, while paying additional homage to some of his favorite visual artists. THE HIDDEN MESSAGES AND SYMBOLS In addition to the art itself, Stickman also adds (and quite often hides) his trademarked Stickman symbol (stick figure with devil horns) and the statement "Devil Inside" to the painting. • The Stickman symbol is derived from Stickman’s last name (Stickel) and a common phrase he hears from viewers, "I can't even draw a stick man". The horns represent rock and roll (his primary focus), which is generally regarded as the devil’s music, and references the duality of man (good vs. evil). • The statement "Devil Inside" also references this Jekyll and Hyde type of duality. Stickman often feels there is a difference between Stickman the artist and Trevor Stickel the person. When focused on a subject and working on a piece, he often gets so involved in the subject he finds himself emulating them in the way he dresses and acts, similar to a method actor. • The signature on the bottom right corner usually shows the Stickman symbol imitating the subject. THE TITLE The title of each piece is often overlooked but may very well be the most important piece of the puzzle. Stickman looks for a lyric that he believes personifies the subject or his feeling toward that subject and from there, begins to create an image and feeling that takes the viewer to that emotional state of mind. The titles are always a lyric from the subject's song but never the title of a song. If the viewer is a fan of the subject, they should almost hear the lyric or feel the emotion of the lyric when looking at the piece. Knowing the title completes the emotional connection to the painting and usually reveals a personal trait about the subject.
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