Stickman King Nothing - Metallica Tribute -Giclee On Canvas Artist Proof Hand Embellished
Status: In Stock Available | Condition: New | Edition:Limited Edition -Giclee On Canvas Artist Proof Hand Embellished | Edition Size: Limited Edition of 50 | Dim:30" x 40" | Stickman| Item #: MGKINGNOAP
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Stickman King Nothing - Metallica Tribute -Giclee On Canvas Artist Proof Hand Embellished is eligible for 3 equal layaway payments in store, with a credit card of $631.67 made every 30 days over a period of three months....
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King Nothing - Metallica Tribute - MGKINGNOAP
NOTES: King Nothing - Metallica Tribute. "A lot of my pieces come from multiple layers of influence and inspiration converging together at a singular point–others are not so profound. This piece falls into the latter category. Sometimes the inspiration comes from a song I’ve heard a hundred times, but for some reason on a particular day it just hits different, and in that moment, imagery enters my mind. Sometimes that imagery is cool enough that I’m compelled to get it on canvas. That is where "King Nothing" was born. To say that the song and album were released to mixed reviews would be an understatement. Back in 1996, Metallica fans were aghast to see the revamped image of the band and entirely different sound from their previous offerings. I wasn’t sure what to make of it at first, but it quickly became the soundtrack to that summer. Fast forward to February 2021, when “King Nothing” shows up on my radio, it immediately transports me back to that summer and just hits me differently–like only music can do. This piece could be seen as a tribute to Metallica, it could be seen as homage to artists taking risks, or simply seen as a piece born of nostalgia. Maybe it is multi-layered after all." -Stickman .
King Nothing - Metallica Tribute -Giclee On Canvas Artist Proof Hand Embellished by Stickman is signed by the artist and comes with a certificate of authenticity.
image Copyright © 2024 by Stickman
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Stickman bio
Trevor “Stickman” Stickel specializes in icon based, pop-realism portraits that capture legendary moments, powerful ideas, and raw emotion. His work is described as gritty-yet fresh, complex-yet simple. Graduating from a Jekyll and Hyde influence early in his career, in which he divided his time between family portraits and airbrush design work on helmets and Harleys, Stickman had the epiphany to combine both styles while reading “According to the Rolling Stones”. Two weeks later he finished his first canvas portrait of Mick Jagger, aptly titled “Please allow me to introduce myself”, which forever changed the direction of his career in the art world. THE MISSION The idea or "mission" behind Stickman’s artwork is to create an artistic tribute to the music and to the musicians that have had a tremendous impact on him and many others. Historically, these tributes would have been limited to photos/posters that adorned the bedroom walls of teenagers and dorm rooms throughout adolescence. Stickman aims to create a style of art that brings these iconic figures back into our lives, and in a manner that adults can display proudly in their homes. THE CONCEPT The concept is to take a realistic portrait and juxtapose it with a background that expresses the feelings and emotions of the subject. This method also allows Stickman to explore other disciplines of art – many of his backgrounds will include abstract, expressionism, impressionism, realism, pop art, street art, surrealism and quite often a combination of these. This is where he gets to enjoy the artistic side of these pieces, while paying additional homage to some of his favorite visual artists. THE HIDDEN MESSAGES AND SYMBOLS In addition to the art itself, Stickman also adds (and quite often hides) his trademarked Stickman symbol (stick figure with devil horns) and the statement "Devil Inside" to the painting. • The Stickman symbol is derived from Stickman’s last name (Stickel) and a common phrase he hears from viewers, "I can't even draw a stick man". The horns represent rock and roll (his primary focus), which is generally regarded as the devil’s music, and references the duality of man (good vs. evil). • The statement "Devil Inside" also references this Jekyll and Hyde type of duality. Stickman often feels there is a difference between Stickman the artist and Trevor Stickel the person. When focused on a subject and working on a piece, he often gets so involved in the subject he finds himself emulating them in the way he dresses and acts, similar to a method actor. • The signature on the bottom right corner usually shows the Stickman symbol imitating the subject. THE TITLE The title of each piece is often overlooked but may very well be the most important piece of the puzzle. Stickman looks for a lyric that he believes personifies the subject or his feeling toward that subject and from there, begins to create an image and feeling that takes the viewer to that emotional state of mind. The titles are always a lyric from the subject's song but never the title of a song. If the viewer is a fan of the subject, they should almost hear the lyric or feel the emotion of the lyric when looking at the piece. Knowing the title completes the emotional connection to the painting and usually reveals a personal trait about the subject.
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