Stickman Same Old Trip - Alice in Chains (Layne Staley) Giclee On Canvas
Status: In Stock Available | Condition: New | Edition:Limited Edition Giclee On Canvas | Edition Size: Limited Edition of 250 | Dim:24" x 32" | Stickman| Item #: MGOLDTRIPSN
Price: $ 995.00 USD..
9/18/2025 $331.67 1st payment
10/18/2025 $331.67 2nd payment
11/17/2025 $331.67 3rd & final payment
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Art Terminologies
Giclée - A computerized reproduction technique in which the image and topography are generated from a digital file and printed by a special ink jet printer, using ink, acrylic or oil paints. Giclée printing offers one of the highest degree of accuracy and richness of color available in any reproduction techniques
Lithography - Printing technique using a planographic process in which prints are pulled on a special press from a flat stone or metal surface that has been chemically sensitized so that ink sticks only to the design areas and is repelled by the non-image areas. Lithography was invented in 1798 in Germany by Alois Senefelder.
Serigraphy (Silk-screen) - A printing technique that makes use of a squeegee to force ink directly onto a piece of paper or canvas through a stencil creating an image on a screen of silk or other fine fabric with an impermeable substance. Serigraphy differs from most other printing in that its color areas are paint films rather than printing ink stains.
Remarque – Additional enhancements by the artist on some or all of the final prints within an edition
Artist's Proof (AP) - Print intended for the artist's personal use. It is common practice to reserve approximately ten percent of an edition as artist's proofs, although this figure can be higher. The artist's proof is sometimes referred to by its French épreuve d'artist (abbreviation E.A.). Artist's proofs can be distinguished by the abbreviation AP or E.A., commonly on the lower left of the work.
“Gallery wrapped” is a way of finishing a canvas artwork so it’s ready to hang without needing an additional frame. The canvas is stretched tightly over thick wooden stretcher bars, and the edges of the canvas are wrapped around the sides and stapled on the back.
Stretched - When a canvas is described as stretched, it means the artwork has been pulled tightly over a wooden frame (called stretcher bars) and secured on the back. This process keeps the canvas flat and smooth, ready to hang on the wall or to be placed inside an outer frame.
Hand Embellished - When an artwork is hand embellished, the artist (or a skilled studio artisan) personally adds paint, texture, or other details by hand on top of the printed or finished piece. This gives each artwork unique highlights and depth, making no two pieces exactly alike — even within the same edition.
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Status: In Stock Available
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Stickman Same Old Trip - Alice in Chains (Layne Staley) Giclee On Canvas is eligible for 3 equal layaway payments in store, with a credit card of $331.67 made every 30 days over a period of three months. US & Canada orders only.
Blending minimalist design with expressive storytelling, these stick figure compositions use simple yet dynamic lines to convey emotion, movement, and narrative depth. With a playful yet thought-provoking artistic style, each piece transforms basic forms into powerful visual storytelling, creating abstract yet deeply relatable scenes. Featuring energetic, modern conceptual artwork, these narrative-driven illustrations rely on strong composition and minimal forms to evoke humor, introspection, and emotion. Whether depicting whimsical, symbolic, or deeply expressive themes, this unique approach to contemporary figurative minimalism proves that simplicity can be both engaging and profoundly impactful in fine art.
Same Old Trip - Alice in Chains (Layne Staley) - MGOLDTRIPSN
NOTES: Same Old Trip - Alice in Chains (Layne Staley). "If you attended Eastglen Composite high School in Edmonton in the early 90s you may remember the dark hallway. It was a stretch of lockers in an area of the school that had no classrooms, therefore was pretty much unsupervised. Due to this lack of supervision, the school administration tried various methods to deter students from choosing these lockers. Their methods included wiring the lockers shut and cutting the power to the area, leaving the hallway in perpetual darkness. All of this, of course, was highly unsuccessful. The area was quickly adopted by skaters, snowboarders, musicians and artists - it was our own sanctuary, an area of anarchy in an otherwise heavily ruled society. For me, that thirty yards of hallway exemplified the look and vibe of the early nineties better than any movie or book possibly could. Of course, the oversize plaid wearing crowd of the dark hallway equally loved all the Seattle based grunge bands, but for some reason, for the last 30 years every time I hear Alice in Chains I think if this place and the characters it produced. I'm not sure if it’s the edge in Layne Staley’s voice, his look, or a combination of both, but nowadays the opening bass line of "Would?" instantly transports me back to that wonderfully creative time and place. For me, the soundtrack of that era will always be timeless, aged like a fine wine, it truly is "the same old trip it was back then." -Stickman .
Same Old Trip - Alice in Chains (Layne Staley) Giclee On Canvas by Stickman is signed by the artist and comes with a certificate of authenticity.
image Copyright © 2025 by Stickman
Stickman bio
Trevor “Stickman†Stickel specializes in icon based, pop-realism portraits that capture legendary moments, powerful ideas, and raw emotion. His work is described as gritty-yet fresh, complex-yet simple. Graduating from a Jekyll and Hyde influence early in his career, in which he divided his time between family portraits and airbrush design work on helmets and Harleys, Stickman had the epiphany to combine both styles while reading “According to the Rolling Stonesâ€. Two weeks later he finished his first canvas portrait of Mick Jagger, aptly titled “Please allow me to introduce myselfâ€, which forever changed the direction of his career in the art world. THE MISSION The idea or "mission" behind Stickman’s artwork is to create an artistic tribute to the music and to the musicians that have had a tremendous impact on him and many others. Historically, these tributes would have been limited to photos/posters that adorned the bedroom walls of teenagers and dorm rooms throughout adolescence. Stickman aims to create a style of art that brings these iconic figures back into our lives, and in a manner that adults can display proudly in their homes. THE CONCEPT The concept is to take a realistic portrait and juxtapose it with a background that expresses the feelings and emotions of the subject. This method also allows Stickman to explore other disciplines of art – many of his backgrounds will include abstract, expressionism, impressionism, realism, pop art, street art, surrealism and quite often a combination of these. This is where he gets to enjoy the artistic side of these pieces, while paying additional homage to some of his favorite visual artists. THE HIDDEN MESSAGES AND SYMBOLS In addition to the art itself, Stickman also adds (and quite often hides) his trademarked Stickman symbol (stick figure with devil horns) and the statement "Devil Inside" to the painting. • The Stickman symbol is derived from Stickman’s last name (Stickel) and a common phrase he hears from viewers, "I can't even draw a stick man". The horns represent rock and roll (his primary focus), which is generally regarded as the devil’s music, and references the duality of man (good vs. evil). • The statement "Devil Inside" also references this Jekyll and Hyde type of duality. Stickman often feels there is a difference between Stickman the artist and Trevor Stickel the person. When focused on a subject and working on a piece, he often gets so involved in the subject he finds himself emulating them in the way he dresses and acts, similar to a method actor. • The signature on the bottom right corner usually shows the Stickman symbol imitating the subject. THE TITLE The title of each piece is often overlooked but may very well be the most important piece of the puzzle. Stickman looks for a lyric that he believes personifies the subject or his feeling toward that subject and from there, begins to create an image and feeling that takes the viewer to that emotional state of mind. The titles are always a lyric from the subject's song but never the title of a song. If the viewer is a fan of the subject, they should almost hear the lyric or feel the emotion of the lyric when looking at the piece. Knowing the title completes the emotional connection to the painting and usually reveals a personal trait about the subject.
