Sally Caldwell Fisher Portland Head Lighthouse, Limited Edition Canvas
Status: In Stock Available | Condition: New | Edition:Limited Edition Limited Edition Canvas | Edition Size: 50 | Dim:23 x 18 | Sally Caldwell Fisher| Item #: SCF00006
Price: $ 595.00 USD..
2/12/2025 $198.33 1st payment
3/14/2025 $198.33 2nd payment
4/13/2025 $198.33 3rd & final payment
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Sally Caldwell Fisher Portland Head Lighthouse, Limited Edition Canvas is eligible for 3 equal layaway payments in store, with a credit card of $198.33 made every 30 days over a period of three months. US & Canada orders only.
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Bringing coastal New England charm to fine art, these nautical-themed paintings capture the vibrant life and nostalgia of seaside villages, harbor towns, and maritime traditions. Featuring expressive brushwork and lively waterfront compositions, each piece tells a story of coastal life, from bustling docks to serene sailboat-filled harbors. Infused with warmth, humor, and rich detail, these works embody timeless coastal nostalgia, celebrating Americana and traditional maritime culture. Whether depicting colorful fishing villages, scenic harbors, or peaceful seaside moments, these classic maritime-inspired paintings transport viewers to a world of seaside beauty and storytelling through art.
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Portland Head Lighthouse, LIMITED EDITION CANVAS - SCF00006
NOTES: Maine is home to many of the nation’s oldest lighthouses. One of the most picturesque is Cape Elizabeth’s magnificent 200-year-old Portland Head. The rich and colorful history of this 72-foot tower makes it one of the country’s most photographed lighthouses..
Portland Head Lighthouse, Limited Edition Canvas by Sally Caldwell Fisher is signed by the artist and comes with a certificate of authenticity.
image Copyright © 2025 by Sally Caldwell Fisher
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Sally Caldwell Fisher bio
I was born in 1951, in Philadelphia. My sisters and brothers and I grew up in Birmingham , Michigan. Our mother was a gifted watercolorist who never had the time to pursue her own creative passion. She transferred those desires to my sister and me, who took them up almost dutifully. Our mother provided us with good materials, for which I will always thank her, as some of the real magic of painting is released through the alchemy of paint and surface. Over the years, my style has evolved consistently, as I have evolved. Change and openness are essential to the creative spirit. I can never adequately describe my art , as it defies easy categorization. Much of it has reflected coastal New England life with an emphasis on the marine. My children were brought up in a Maine fishing village out of which my husband ran a boat fishing for lobster, bluefin tuna, urchins, and other exotic and magical creatures of the deep. All the time spent on the water has deeply affected my work. My experiences in the world of art publication led me to branch out and explore the world of the narrative as inspired by old photographs. This offers a rich and limitless vein of possibility. I never tire of probing into the past for inspiration. I also started to create art for events, such as the America s Cup races, the Wooden Boat Shows, various parades and festivals, even the Monte Carlo Circus. My love for the artless self-composition of interacting figures and human body language have always led a light-hearted humor to the paintings, which have sometimes been called "naïve." The word "naïve" has always troubled me because I do not feel naïve. I often feel pretty cynical and let down. But I do feel a genuine affection for the people I invite into the paintings, people who are simply part of the composition, going about their business unawares, as if in snapshots. Now, in midlife, I have experienced quite a bit of loss and change. So much so that it would be disingenuous not to change in my art .. I am returning more to landscape out of love for the beauty of the world around me. The human presence is, of course, always implied at the very least. I desire to be a strong unseen presence, involved in the scene before me. Still, never far from the whimsical, I love to paint animals and objects and people. I am more interested in being eclectic than in being easily categorized. I am no classical artist. I am a painter whose work is her greatest source of well-being.
