Status: In Stock Available | Condition: New | Edition:Artist Proof -Giclee On Canvas Artist Proof Hand Embellished | Edition Size: Limited Edition Of 50 | Dim:30 X 40 | Stickman| Item #: MGWANBLEAP
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I Wanna Watch You Bleed - Axl Rose - MGWANBLEAP
NOTES: I Wanna Watch You Bleed - Axl Rose. Axl Rose’s wide vocal range and energetic performances have cemented this enigmatic rock star’s place among one of the greatest front men of all time. His shrilling rock n' roll screams helped propel Guns N’ Roses debut album Appetite For Destruction to the dubious honour of being the best selling debut album of all time (U.S.) and was on heavy rotation in my house throughout the late eighties. Axl is almost as famous for his unique persona and off stage antics as he is for his legendary live performances. The reclusive rock star has always seemed to go against the grain and do things his own way and on his own timeline (anyone who has attended a GNR concert can attest to that statement). He, along with the rest of the band, were inducted into the Rock n’ Roll Hall of Fame in 2012 – and in true bad ass fashion, Axl declined to show for the ceremony…maybe he was just late?.
I Wanna Watch You Bleed - Axl Rose -Giclee On Canvas Artist Proof Hand Embellished by Stickman
image Copyright © 2024 by Stickman
Trevor “Stickman” Stickel specializes in icon based, pop-realism portraits that capture legendary moments, powerful ideas, and raw emotion. His work is described as gritty-yet fresh, complex-yet simple. Graduating from a Jekyll and Hyde influence early in his career, in which he divided his time between family portraits and airbrush design work on helmets and Harleys, Stickman had the epiphany to combine both styles while reading “According to the Rolling Stones”. Two weeks later he finished his first canvas portrait of Mick Jagger, aptly titled “Please allow me to introduce myself”, which forever changed the direction of his career in the art world. THE MISSION The idea or "mission" behind Stickman’s artwork is to create an artistic tribute to the music and to the musicians that have had a tremendous impact on him and many others. Historically, these tributes would have been limited to photos/posters that adorned the bedroom walls of teenagers and dorm rooms throughout adolescence. Stickman aims to create a style of art that brings these iconic figures back into our lives, and in a manner that adults can display proudly in their homes. THE CONCEPT The concept is to take a realistic portrait and juxtapose it with a background that expresses the feelings and emotions of the subject. This method also allows Stickman to explore other disciplines of art – many of his backgrounds will include abstract, expressionism, impressionism, realism, pop art, street art, surrealism and quite often a combination of these. This is where he gets to enjoy the artistic side of these pieces, while paying additional homage to some of his favorite visual artists. THE HIDDEN MESSAGES AND SYMBOLS In addition to the art itself, Stickman also adds (and quite often hides) his trademarked Stickman symbol (stick figure with devil horns) and the statement "Devil Inside" to the painting. • The Stickman symbol is derived from Stickman’s last name (Stickel) and a common phrase he hears from viewers, "I can't even draw a stick man". The horns represent rock and roll (his primary focus), which is generally regarded as the devil’s music, and references the duality of man (good vs. evil). • The statement "Devil Inside" also references this Jekyll and Hyde type of duality. Stickman often feels there is a difference between Stickman the artist and Trevor Stickel the person. When focused on a subject and working on a piece, he often gets so involved in the subject he finds himself emulating them in the way he dresses and acts, similar to a method actor. • The signature on the bottom right corner usually shows the Stickman symbol imitating the subject. THE TITLE The title of each piece is often overlooked but may very well be the most important piece of the puzzle. Stickman looks for a lyric that he believes personifies the subject or his feeling toward that subject and from there, begins to create an image and feeling that takes the viewer to that emotional state of mind. The titles are always a lyric from the subject's song but never the title of a song. If the viewer is a fan of the subject, they should almost hear the lyric or feel the emotion of the lyric when looking at the piece. Knowing the title completes the emotional connection to the painting and usually reveals a personal trait about the subject.
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